As the years passed, and my own expertise grew, I marveled at the products of our needles. My grandmother began a long-standing family tradition of wrapping each newborn member of our family in love through the gift of stitches. Every newborn babe received a hand knit or crocheted layette. My sisters, cousins, and I received this gift upon our arrival into the world and our own children received the same. Now it is time for our children to begin families, but my grandmother has long since passed and her hands have long since stilled.

My Grandmother made a better teacher than any YouTube video available today. She was patient and kind. She would tell a tale through her stitches. She imagined the newborn fitting into the carefully crafted outfits and swaddled in the intricately created blankets, bonnets, and booties. Whether it was a carriage cover destined to become a favourite cuddle for a tot, a sweater to keep the winter’s bite off a shoulder, or an heirloom ensemble to welcome a newborn into the world, her expertise showed the love woven into every stitch.

Shortly before her passing, my grandmother and I spent some stitcherly time together. Although arthritis had long since stolen her hands, her mind held her stitcherly expertise firm. As I stitched, she told of tales from long ago. She recalled each heirloom ensemble that she had gifted. Her eyes saddened with the reality of the gift arthritis had stolen from her. She could no longer share her spirit through stitching, but she sparkled when she realized that I could.

During one of our last visits, my grandmother gifted me her patterns and needles along with the request that I continue to impart her love through the stitches that created beautiful pieces, which, as hers have, would survive the ages. She moved to her storage cupboard, her gait was slow and steady, showing the toll of a life well lived. She collected a stack of worn magazines and pamphlets and placed them in front of me. It told of knitterly accomplishments that spanned almost 75 years of stitching. Nearly every project had been lovingly knit by my grandmother’s own hand.

My grandmother placed her hand upon mind and, as her gaze met mine, she bade me to continue what she had begun. It is with this in mind that I embark upon the fulfillment of this heartfelt bequest. Each stitch I create harkens to the days when my grandmother’s hand, with speed and precision, expertly created gifts of love and beauty – many of which survive to this day.

It is the blessing of being gifted a grand niece (to arrive this coming June 2012), that brings these memories forth. It is with honour that I stitch the first of many heirloom ensembles to welcome newborns to this world. It is with humility that I stitch for a new a generation of souls. It is with love that I weave my grandmother’s memory into each stitch. It is with a full heart that I share these memories with you and say, “Welcome, little one, this stitch is for you!”

Happy Stitching!

I began my travels through the land of literacy and essential skills with a very antiquated and narrow definition of literacy. I held the notion that literacy is about education levels (reading and writing) and that is all. I have since come to know that literacy is much more than that. It is about how we understand and move through the world around us. Literacy is no longer associated with only reading and writing activities. Improving literacy skills is no longer only for those with lower levels of education. We can all find something we need to understand better. Financial literacy, digital literacy, health literacy, media literacy, and workplace literacy are some of the areas where we can all improve. Remember, we are all learning all the time and improving our literacy (or understanding) is a lifelong pursuit.

What did I find as I navigated through unfamiliar networks, varying definitions, and complicated concepts? I found that knitting literacy (check out this paper about improving student achievement through knitting) is a concept I already knew and could apply to my understanding of the more complicated concepts of literacy and essential skills. The world of literacy involves an understanding of Nine Essential Skills, as defined by Human Resources and Skills Development Canada (HRSDC).

Essential skills are the skills we need and use every day in order to be successful in our communities, at home, and at work. They include: reading, writing, numeracy, document use, computer use, critical thinking, working with others, oral communication, and continuous learning. We use these skills in nearly everything we do from participating in our writing communities, to cooking meals at home, and to evolve with our professions. They form the basis of all other skills we use in our lives, and that includes knitting.

Yes, knitting. I have thought about this for quite some time and thought I’d share with you how these essential skills are used by knitters every time they pick up two sharp, pointy sticks and transform a ball of string into works of art.

Like most of you, I knit nearly every day. But, how do I know how to create a thing of beauty from two sharp, pointy sticks and a ball of string? My knowledge and know how flows from a firm grounding in each of the essential skills:

1. I use reading and comprehension skills to make decisions on the pattern I want to use, to research techniques, and yarn choices. I read magazines, stitch dictionaries, blog postings on the internet, and other resources to learn new techniques and understand current trends in the knitting world.
2. I use numeracy skills to work out gauge, yarn amounts, and stitch counts. (I don’t guarantee that possessing an expert knowledge of numeracy skills will cure the imminent gauge error that will haunt your knitting. But it can’t hurt!) Knitting is filled with math or numeracy. Think about the math skills involved when you substitute a different weight of yarn to create something uniquely yours from a prewritten pattern. Think about the adjustments you make as you create knitted fabric that fits the unique curves of your body to a “T.”
3. I use writing skills each time I put my vision down on paper in order to document the process, technique, and instructions other knitters need to successfully recreate my vision. I use writing skills each time I make a post to this blog. I use writing skills each time I draft an email to a fellow knitter. I use writing skills each time I email a designer to tell them that their vision is “off” and there is absolutely no way their instructions will successfully result in the project they promise. Okay, maybe that is just me…
4. I use document use skills every time I pick up a pattern and bring someone else’s vision to life. Knitters, you know how difficult it can be to work your way through complicated lace charts, intricate cabling designs, and to understand the twists and turns of knitting related instructional material. Without a firm understanding of how to use and interpret patterns (documents) our knitterly pursuits will end badly.
5. I use computer use skills whenever I log onto Ravelry, use social media to connect with knitters across the world, and whenever I place an online order with my favourite yarn company, yarn stores located in faraway lands, or www.ebay.com. Without a firm understanding of computers and how to use them, I would miss out on scooping up that antique darning egg off eBay and wouldn’t have known about the beautiful stash cast offs from an Eastonian knitter.
6. I use critical thinking skills every time I bring together pattern, yarn, and needles. A lot of thought is involved in giving our creativity life from decided what to knit to choosing that perfect yarn to ensuring we have all the supplies needed to accomplish this task. Without critical thinking skills I would be stuck in a quagmire of knitterly disasters with no hope of escaping the horrors of the infamous “work at the same time” instruction. (Yes, I have also frogged many knitterly works in progress because I missed that instruction!)
7. I use working with others skills whenever I plan a stitch-n-sip meeting of the Saskatoon Knitting Circle.Members and I work together to ensure that everyone has a great time, enjoys stimulating conversation, and can easily participate in meetings that happen across the city of Saskatoon. We talk about politics, work together to solve knitting related disasters, and share our experiences and knowledge with one another. Without an understanding of this essential skill I would be knitting in isolation and miss out on opportunities to connect and share with other knitters in my community.
8. I use oral communication skills whenever I explain a knitting difficulty I’ve experienced, help another knitter sort out a problem, and when describing what a knitterly lifestyle is all about. This essential skill is all about relaying a message or instructions so that it is easily understood by others.
9. I use continuous learning skills each time I learn a new technique, learn something new from another knitter, and every time I open a knitting magazine or newsletter. Knitting is all about continuous learning. We are all learners all the time!

These Nine Essential Skills are the bedrock of our understanding of the world we live in. They are like the basic knit and purl stitch. We all struggled with them at the beginning of our knitting journey, but we also quickly realized that these two seemingly innocuous stitches ruled our knitterly world. They are the foundation on which all knitting greatness is built. Without a solid understanding and grounding in each of the essential skills (or the knit and purl stitch) we have a difficult time participating in our communities, at home, and at work (and knitterly enjoyment).

How do you use each of the Nine Essential Skills in your community, at home, and at work?

What role do the Nine Essential Skills play in your knitterly pursuits?

Are there other skills that you deem essential to accomplish your pursuits in knitting and life?

Happy Stitching!

Lately, my weekdays and weekends have been filled with obligation, client projects, and work. I have not had an afternoon to spend on my own pursuits for the past three months.

I fixed this issue today. My youngest daughter has had a length of stretch plaid in the bottom of her closet for quite some time. A l wonder through my pattern library brought me much needed inspiration and turned my Sunday afternoon into a creative and productive one that did NOT involve anything “work/professionally” related.

The pattern is New Look 6704. It contains instructions to create an overcoat, mini dress, belted blouse, long, short and sleeveless button down tops that are suitable for nearly every shape and figure.

My daughter happens to be well proportioned. She is tall and lean and can wear nearly anything. The plaid suits her and she is eagerly awaiting the morning so she can wear it to University classes.

It has always done my heart good to create clothing for my daughters. From the time they were born I’d spend hours in my studio. I had a playpen set in the corner to accomodate them when they were babes. I had a multitude of activities set at a table to keep them busy when they were older. They’ve been a part of my sewing world from the start. Now, even though both are grown and beginning their journey through adulthood, the pull of the studio has not been lost.

From costumes for hallowe’en to that special fitted ensemble, my machines have been an intricate part of life and growing for my girls and I. It has served to bond us together in creativity that remains as strong to day as it ever was. It is the go-to room whenever a special dress or outifit is needed. It is the room where bonding began and it is the room where I find solice from the outside world. I’ve missed my studio!

Have you spent some quality time with your fabrics, machines, and children lately? What wonderful creations are coming out of your love?

Until next time,

Happy stitching and sipping!

(Next time I shall post some knitting related adventures!)

———————–

One of my favourite things to do is to sit back, relax and have a very good cup of steaming hot coffee. The curls of steam finding their way into waiting nostrils signal a euphoric response that is welcomed and embraced, no matter the weather, the temperature or the season. Spring, summer, winter and fall are filled with perfect days for enjoying the nectar of the gods; the breath of life; giver of “awakeness” (insert other cool catch phrases here!). Most of us NEED coffee, we CRAVE coffee and embark on a daily QUEST to get our fix. It might be one of the most addictive substances, but also the most enjoyable.

Since our move to Saskatoon a few years ago, I have taken to embarking on a personal quest to discover this cities caffeinated haunts. As a recent implant to Saskatoon, it is taking a while for me to familiarize myself with all the coffee shops and roasting houses that offer up a delectable selection of the bean of the gods. However, I think I have at least made a dent and to date Mackenzie Cole’s is my favourite – at least in my neighbourhood.

Mackenzie Coles Coffee, 815A Gray Avenue (corner of Gray and Central, just north of the railroad tracks). Saskatoon’s Sutherland subdivision began life as a “CPR Town”, where the trans-continental railroad serviced its locomotives and prepared trains for destinations along the mainline and branch lines. Mackenzie Cole Coffee brings coffee enthusiasts a good place to stop and rest on the east side of the city – much further east and these guys would be out-of-town! They get their coffees from Globe Coffee in Toronto.

***

Mackenzie Coles Coffee is a great little shop close to my new home which I frequent often. However, whenever I return to Regina, Roca Jack’s is one of my first stops. It will remain forever at the top of my list of great and un-surpassed haunts that offer up a delectable menu of great conversation, not diet-friendly treats and a number of flavours of the bean that we worship. The nice thing about RJ’s is that they also sell the beans they brew and one can leave with a little taste of heaven to enjoy at home on those rare occasions where one is unable to take in the eclectic atmosphere of this quaint little paradise.

There may be other haunts in Saskatoon, but I’ve not enjoyed them as much as that above. My memory is now turning to the places that hold a dear spot in my heart from my true home town, Regina, Saskatchewan.

Roca Jack’s Coffee House, 1939 Scarth Street and another on 13th Avenue and formerly of the University of Regina – location in Campion College. An excellent espresso bar and roastery, situated in the heart of Regina’s downtown, across from scenic Victoria Park and just a block away from the historic Hotel Saskatchewan. Not only will you get a great coffee, you can grab a delicious and healthy lunch or snack at the same time. This is a sure place to indulge your thirst for both coffee and the most eclectic and awesome group of people engaged in conversations ranging from politics to the state of the arts in Saskatchewan. You can find another location on 13th Avenue should that prove a little more convenient. AND SHAME ON THE UNIVERSITY OF REGINA for not renewing the contract for the Campion location of Roca Jack’s. I was very saddened when I heard that Roca Jacks needed to vacate the premises….countless students shall now go coffeeless!!! Although, other coffee bars do exist, none shall come close to the quality of Roca Jacks in many of our hearts.

I hope you enjoyed my editorial upon the need for good coffee and where to get it. As previously mentioned it is a NEED and that should not negate the desire for a good cup of coffee. If you have a favourite shop, please feel free to tell me all about it. I am always on the lookout for good coffee!!!!! Who knows, my next quest may begin in your home town.

Until next time,

Happy stitching and sipping!

(Next time I shall post some knitting related adventures!)

———————–

One of my favourite things to do is to sit back, relax and have a very good cup of steaming hot coffee. The curls of steam finding their way into waiting nostrils signal a euphoric response that is welcomed and embraced, no matter the weather, the temperature or the season. Spring, summer, winter and fall are filled with perfect days for enjoying the nectar of the gods; the breath of life; giver of “awakeness” (insert other cool catch phrases here!). Most of us NEED coffee, we CRAVE coffee and embark on a daily QUEST to get our fix. It might be one of the most addictive substances, but also the most enjoyable.

Since our move to Saskatoon a few years ago, I have taken to embarking on a personal quest to discover this cities caffeinated haunts. As a recent implant to Saskatoon, it is taking a while for me to familiarize myself with all the coffee shops and roasting houses that offer up a delectable selection of the bean of the gods. However, I think I have at least made a dent and to date Mackenzie Cole’s is my favourite – at least in my neighbourhood.

Mackenzie Coles Coffee, 815A Gray Avenue (corner of Gray and Central, just north of the railroad tracks). Saskatoon’s Sutherland subdivision began life as a “CPR Town”, where the trans-continental railroad serviced its locomotives and prepared trains for destinations along the mainline and branch lines. Mackenzie Cole Coffee brings coffee enthusiasts a good place to stop and rest on the east side of the city – much further east and these guys would be out-of-town! They get their coffees from Globe Coffee in Toronto.

Mackenzie Coles Coffee is a great little shop close to my new home which I frequent often. However, whenever I return to Regina, Roca Jack’s is one of my first stops. It will remain forever at the top of my list of great and un-surpassed haunts that offer up a delectable menu of great conversation, not diet-friendly treats and a number of flavours of the bean that we worship. The nice thing about RJ’s is that they also sell the beans they brew and one can leave with a little taste of heaven to enjoy at home on those rare occasions where one is unable to take in the eclectic atmosphere of this quaint little paradise.

There may be other haunts in Saskatoon, but I’ve not enjoyed them as much as that above. My memory is now turning to the places that hold a dear spot in my heart from my true home town, Regina, Saskatchewan.

***

Roca Jack’s Coffee House, 1939 Scarth Street and another on 13th Avenue and formerly of the University of Regina – location in Campion College. An excellent espresso bar and roastery, situated in the heart of Regina’s downtown, across from scenic Victoria Park and just a block away from the historic Hotel Saskatchewan. Not only will you get a great coffee, you can grab a delicious and healthy lunch or snack at the same time. This is a sure place to indulge your thirst for both coffee and the most eclectic and awesome group of people engaged in conversations ranging from politics to the state of the arts in Saskatchewan. You can find another location on 13th Avenue should that prove a little more convenient. AND SHAME ON THE UNIVERSITY OF REGINA for not renewing the contract for the Campion location of Roca Jack’s. I was very saddened when I heard that Roca Jacks needed to vacate the premises….countless students shall now go coffeeless!!! Although, other coffee bars do exist, none shall come close to the quality of Roca Jacks in many of our hearts.

I hope you enjoyed my editorial upon the need for good coffee and where to get it. As previously mentioned it is a NEED and that should not negate the desire for a good cup of coffee. If you have a favourite shop, please feel free to tell me all about it. I am always on the lookout for good coffee!!!!! Who knows, my next quest may begin in your home town.

Do you have a favourite haunt that inspires you?

I carried my knitting onto the plane in hopes of blunting the stab of boredom that the five hours of travel time would surely inflict upon me. The trip between home and Montreal is not a short flight (apparently we can fly direct to Denver, but not to Montreal…go figure). What is a knitter to do? Well, she takes her knitting out of her purse and begins stitching.

Ophelia on the plane. Progress will be had!

Stitching through the miles of air travel, in my case, can be considered a social service. Boredom and I don’t mix well. I think the airlines have realised the value of not separating knitters from their knitting. Without our sticks and string we run the risk of making pests of ourselves; inquiring after all the passengers; rifling through any unattended carry on luggage to quell the ill effects of the curiosity and boredom mix; and – understandably so – transforming into curious children who have nothing to keep them occupied. For these reasons my knitting is never far away from me. Society is more peaceful that way.

My knitting and I travelled the skies and, upon checking into the hotel room, I promptly unpacked my pretties. Mixed among the necessities (clothes and toiletries) were a few balls of lusciously delicious sock yarns, a full sweater worth of bamboo (for Ophelia … aka: Coraline Tunic by White Lies Designs), odds and ends of notions, and extra needles. Yes, I travel well prepared for any contingency (it would be tragic to have run out of yarn or become intertwined with a knitting emergency!). I wondered if I packed enough yarn for five days away from the comfort of my stash, took a deep breath, and decided that my supply would do nicely. Besides, if I did run out of yarn, Montreal has some fabulous local yarn stores (LYS).

Day one of the institute provided me with information overload and a good supply of contacts (complete with a deck of business cards). I respectfully left my knitting in my hotel room until I scoped out the lay of the land. As it turned out, Diana Twiss of Decoda Literacy Solutions, was stitching along with the presentations. On day two, I apologized to my knitting and packed Ophelia in my purse. There was plenty of knitting time during some very informative sessions. Diana and I stitched merrily along. She was working on fingerless gloves. She spun the yarn herself. They were beautiful.

Diana Twiss was kind enough to pose with Ophelia:

Ophelia with Diana Twiss

So, I attended a conference that was teaching me the lingo in the land of workplace essential skill and literacy. I made some interesting professional connections and accomplished some knitting. What more could I ask for?

The return trip home from this conference required me to spend another 5 hours on a plane that left Montreal and flew me home via Toronto, Thunderbay, Edmonton, and then Saskatoon. It was a wonderful time to sit and knit. By the time I arrived home, I had the back of Ophelia complete. I am now working on her second sleeve.

So, my knitterly friends, it is beautiful to combine knitting with your professional pursuits. I discover each and every day that I am not the only in need of keeping my hands busy with a creative activity like knitting. In fact, I will argue that knitting during any meeting creates a situation where you are actually more present than your mates who are consistently checking thier email on notebooks, iPhones, and Blackberries. I will argue that knitting keeps my creative brain occupied so my professional brain can concentrate on the topics at hand. It truly does keep my brain from wondering.

There you have it! Knitting and work are indeed beautiful companions whose relationship is positive and productive.

Do you knit while you work?

Does knitting enable you to become focused during activies like conference calls?

Do you have a favourite work/knitting combo story? Do tell in the comment section!

And, I wish you all a Happy Stitching experience…

This easy pattern for crochet uses up your scrap yarns, recycles your tuna cans and provides a unique
place to rest your pins, needles and sewing supplies.

It can easily be made in an evening or two and is sure to please anyone. It can also be used as a comfy
seating place for one’s favourite fashion doll!

Materials:
4 oz. Worsted weight yarn (Main Colour MC)
1 oz. Worsted weight yarn (Contrast Colour CC)
4 mm crochet hook
Empty tuna can and lid (washed and dried – 184 g)
Batting for stuffing

Directions:

Back Top of Chair:
Piece No. 1:
With MC chain 4. Slip stitch to form ring.
Row 1: Chain 3, make 14 double crochet in ring, slip stitch to chain 3. Fasten off.
Row 2: Attach contrasting colour between any 2 double crochets, chain 3, make 1 double crochet in base of chain 3. Make
2 double crochet in each stitch around (30 double crochet). Slip stitch to top of chain 3. Fasten off.
Row 3: Attach main colour in between a 2 dc, chain 3, make 1 dc in base of cha3. * Make 1 dc in next st, make 2 dc in next
st. * Repeat between * around row. Sl St to top of ch 3. Fasten off. Make 1 more piece exactly the same as above (Seat of
Chair).

Piece No. 2:
Make 2 more pieces as above using rows 1 through 3, only using MC for all rows. Place the solid main colour wrong side
up, place the tuna lid on top of it, place some stuffing on top of lid; now place first piece made with 2 colours right side up
with MC, sc around both circles. Set aside.

Seat of Chair:
Using the second pice No. 1, attach MC in between any douc in row. Ch 3, make a dc in every st around, sl st to top of ch 3,
ch 1. Make a sc in every st around row, sl st in ch 1. Fasten off. Change to CC and make a ch1, and make a sc in each st
around, sl st to ch 1. Fasten off.
Attach MC in any sc and ch 3, make 1 dc in each st around, sl st in ch 3, ch 1 make 1 sc in each st around, sl st to ch 1.
Fasten off.
Attach CC, ch 1, make 1 sc in each st around, sl st to ch 1. Fasten off. (This should just fit over a tuna can, adjust by adding
any rows needed. If it is too large, use a smaller hook.)
Fill tuna can with stuffing until it is over flowing. Place crocheted seat over can. Turn seat upside down, place MC piece
No. 2 over bottom of seat. Hold both pieces together, turn work to front, attach MC yarn through both pieces, ch 3, make 2
dc in same st. make 3 dc in each st around (For ruffle) St st to ch 3. Fasten off.

Side Arms (Make 2)
Ch 5, sl st to form ring. Ch 3, make 19 dc in ring. (20 dc). Sl st to top of ch 3, ch 1, make 1 sc in each st around. Fasten
off.
Sew back top of chair to top seat of chair. Use 7 or 8 sts on each. Sew firmly in place. Sew a side arm to each side of back
of top of seat with main colour attach to bottom of seat and side arm. Make a reverse sc in each free st of side arm and
around back of chair, then around second arm side to top of seat. Fasten off.

Tunisian Crochet is my preferred method for Afghans or blankets. The basic Tunisian stitch (video tutorial) lends itself nicely to producing a tightly woven fabric whose right side resembles a grid. The grid provides the perfect canvas that allows for limitless embellishment options – like cross stitching. The wrong side resembles the wrong (or purl) side of its knitted cousin.

Creating and embellishing the Panels of your Afghan are only the first couple steps. These Panels must now be joined to form an heirloom quality Afghan – complete with love stitched into every stitch. (Please note that it is easier to first stitch your panels, embellish them, and then join them together. This avoids mismatched designs.)

“Just how do we join these panels?” you might be thinking. Grab your project, refill your coffee, get comfy, and I’ll explain my favourite joining method to you.

Joining Tunisian Crochet (Afghan Stitch) Panels – Front Post Treble Crochet Method:

There are a number of ways to join Tunisian Crochet Panels. They range from the simple (using a crochet hook, with right sides together, to join the Panels with a running slip stitch) to the more complicated process involving the creation of borders and side borders using a combination of the treble (or triple) stitch and the front post treble crochet method (video tutorial), which provides an added depth and texture to the completed project. Choosing complimentary colours for the borders and side borders creates a colour blending detail that provides a striking compliment to the Panels and the overall design.

The front post treble crochet method adds borders and side borders in between the embellished Panels while connecting them. It helps to think of this process as building in layers. Each round or row represents one layer of the final design. (Please note that you will begin by working down the length of the panel with the right side facing you.)

Tip: Using a crochet hook ½ size smaller than the Afghan hook allows for any ease that may be produced. For instance, when using a 6.5mm Afghan hook, I’ll create the Panel borders and side borders with a size 6.00 mm. Your panels will lay flat and the borders will not pucker.

Creating Panel Border:

1. Round (layer) 1:
   1. Using colour A, work down the length of the panel, join yarn (in corner) and chain 1, single crochet in first row-end stitch.
   2. **Treble in next corresponding horizontal stitch four rows below pulling treble up to current level of work.
   3. * Single crochet in each of next 3 row-end stitches, treble in next corresponding horizontal stitch 4 stitches below pulling treble up to current level of work *.
   4. Repeat from * to * down the length to within last stitch across.
   5. Single crochet in last row-end stitch, chain 2, single crochet in each stitch across to next corner, corner 2 **.
   6. Single crochet in first row-end stitch down length and repeat from ** to ** around.
   7. Join with a slip stitch to beginning crochet.
   8. Fasten off.
2. Round (layer) 2:
   1. Join colour B in beginning single crochet, chain one and single crochet in beginning single crochet.
   2. * Single in next treble, treble in next corresponding horizontal stitch three stitches below pulling treble up to current level of work.
   3. Single crochet in next single crochet.
   4. Treble in next corresponding horizontal stitch 3 stitches below pulling treble up to current level of work *. **
   5. ** Repeat from * to * across to within 2 stitches from corner.
   6. Single crochet in next treble, single crochet in next single crochet (single crochet, chain 2, single crochet) in corner chain 2 space **.
   7. Single crochet in next single crochet.
   8. Repeat from ** to ** around, join with slip stitch to top of beginning single crochet.
   9. Fasten off.
3. Round (layer) 3:
   1. Join colour C in beginning single crochet, chain 1, single crochet in beginning single crochet, and single crochet in each of next 2 stitches.
   2. *Treble in next corresponding horizontal stitches 3 stitches below pulling treble up to current level of work, single in each of next 3 stitches *,
   3. ** Repeat from * to * across to within 1 single crochet from corner, single crochet in next single crochet (single crochet, chain 2, single crochet) in corner chain 2 space **.
   4. Single crochet in each of next 4 stitches, repeat from ** to ** around to within last single crochet.
   5. Single crochet in last single crochet. Join with slip stitch to beginning single crochet.
   6. Fasten off.
4. Repeat these steps for each panel.

Add this step to create a Panel Border to each panel once the embellishment stage is complete.

Creating Panel Side Border:

Work with right side facing you. You will be working down the length of the panel as directed in rows (layers) not rounds.

1. Row (layer) 1:
   1. Join colour B in corner chain 2 space.
   2. Chain 1, single crochet in corner chain 2 space.
   3. * Single crochet in each of next 3 stitches.
   4. Work front post treble in next corresponding A treble stitch 3 rows below pulling treble up to current level of work *.
   5. Repeat from * to * across to within 3 stitches from corner.
   6. Single crochet in each of next 3 stitches, single crochet in corner chain 2 space.
   7. Fasten off.
2. Row (layer) 2:
   1. Return to beginning of Row 1 and join colour C in beginning single crochet, chain 1, single crochet in beginning single crochet in each of next 4 stitches.
   2. * Front post treble in next corresponding colour B treble 3 rows below pulling treble up to current level of work. Single crochet in next stitch *.
   3. Repeat from * to * across to within last 4 single crochets, single crochet in each of last 4 single crochet, and turn.
3. Rows (layers) 3 and 4:
   1. Chain 1, single crochet in each stitch across, and turn.
   2. Fasten off at the end of Row 4.

Repeat this process (rows 1-4) on the opposite side of Panel.

Repeat Side Border and add to each Panel once embellishments and Border Panels have been added to each Panel.

Joining Completed Panels:

Now that you have completed your Panel Borders, it is time to join the whole lot together. The process is simple:

1. With right sides of two panels aligned (be sure to align each corresponding row of panel if you have used an embellishment that must be matched), slip stitch panels together on wrong side using back loops, matching stitches from corner to corner down length.
2. Repeat this process until all panels are joined.

You can now weave in your ends and curl up with a good book beneath your new Afghan.

My latest Afghan in progress shows the completed joining process:

Alternating your coordinating colours creates a blended effect that adds an extra “pizzazz” to any Afghan. I chose three complimentary shades of blue, which produced subtle colour blending that enhances the shades present in the main design.

Clear as mud, right? Remember that I’m always happy to answer any questions you might have on this and other posts. Just email me your question and we’ll sort it out in no time at all. Above all, have fun, try something new … and …

Happy Stitching!

I am an avid reader and will read almost anything that is set in front of me. My favourite works are those where knitting plays a large role in both the plot and character formation. Knitting is a central theme or motif, it influences the formation characters, has lent itself to the development of scene and local colour, has served to strengthen a plot, and has even been placed in the starring role of the book on the whole. This is how I would define this new genre – should it ever exist.

I have begun to wonder if the pool of authors who use knitting in their fiction are actually knitters themselves and whether these works belong in a designation all to themselves. I have discovered that many of the knitterly authors I am highlighting here are indeed knitters. This is an exciting and unexpected added bonus of information gleaned from my searching for authors who could belong to this new genre.

I began my quest to answer these questions with the internet: Google knows all, Twitter reaches all, Facebook connects us all and email groups inform us all. I first queries Google to find out if Knitting Fiction as a genre actually existed; it doesn’t. I then queried my Tweeps and wondered openly amongst my Facebook friends and family if knitting fiction was deserving of its own place in the grand organization of literature. I even posed the question to the largest knitting email list there is: The KnitList.

Google told me of at least 24 authors who actively produce works within the mystery, cozy mystery, contemporary fiction, paranormal fiction, and humour genres. I expanded my search to include any books that included needlework as a key component of their fiction and found the number of working authors at least triple. (However, I’d like to stick with those dealing only with knitting in this particular post.)The one constant my searches made me aware of is the number of authors dealing with knitting in this manner is continually growing and their works are many. Most authors have several works in print and knitting plays a large role in each of them. Google was unable to provide a satisfactory answer to my original question, so…

I spent some time with my Tweeps and posed the question of whether or not they felt knitting deserves its own genre. The result is torn. Approximately 50% voted for yes and for no. Facebook brought only a few answer to my query and those that replied were undecided or didn’t care about genre at all they just wanted to read well written stories. Opinions varied and a conclusive answer was not found, so…

I distributed my question to The Knitlist’s 10, 228 members (as of the time of this writing). My knitterly cohorts responded well to my query. I also asked them to name their favourite knitterly author as well as explain why they enjoyed this author. Of course, the Yarnharlot (Stephanie Pearl-McPhee) topped many knitter’s Humour Writing List. But, Debbie Macomber, Anne Hood, Adrienne Martini, and Kate Jacobs took their place of honour on many a reader’s Favourite List.

Other authors working in the knitting sub-genre include: Mary Kruger (mystery), Franklin Habit (humour cartoonist), Michelle Edwards (non-fiction), Jessica Hemmings (non-fiction), Maggie Sefton (mystery), Monica Ferris (mystery), Sally Goldenbaum (fiction), Beth Patillo (fiction), Elizabeth Lenhard (fiction), Anne MacDonald (non-fiction; history), Lela Nargi (essays about knitting), Leanne Dyck (fiction), Anne Bartlett (fiction), Gil McNeil (fiction), Barbara Bretton (mystery), Mary Ellen Hughes (mystery), and Anne Canadeo (mystery) – to name only a few. Most authors have a blog, a website, and can be found on a number of social media sites. It seems, though, that all of these authors are indeed knitters.

My brief adventure into the land of knitting, authorship, and genre has only partially answered my original question, “Should Knitting Literature have its own sub-genre within the two main genres of fiction and non-fiction?” I have, though, found myself with more questions to ponder:

I have a number of books to read that I consider worthy of being housed within a Knitting Literature genre. Where do I begin?

Many knitters are also writers. Is there a strong correlation between the two activities? Do all authors of Knitting Literature also knit?

Are you a fan of works that may fall under the Knitting Literature genre?

Who is your favourite knitting author (and why)?

I remain undecided on this issue, but am heartened by the number of knitters who have become authors and use knitting within their works. I remain undecided if there are enough authors writing with knitting in mind to even create a new genre. But I will always hope that knitting and authorship will continue to grow and one become a literary genre worthy of official placement within the literary world’s organization of authors and their works.

Happy stitching!

Every so often I discover a project that takes the transformative nature of knitting and crocheting to a new level. <Enter> the Turtleback Jacket: a form-fitting (or loose) garment that suits every sized human. Who amongst us would have believed that a comfortable and cozy cardi-like wrap could be the result of a rectangle (or square) transformed?

Turtleback Jacket (design by Sue Childress)

The garment begins with a knitted or crocheted rectangle (or square). The rectangle is then folded, meeting the short ends together. Two quick seams allow for armholes and bring the shape alive! Voila! A fabric wrap that not only keeps the chill from your shoulders, but comes complete with stitched in hugs.

Interested in creating your own version of a Turtleback? There are a few hints and tips that make the process easier. Ultimately, though, creating a Turtleback is as easy as stitching up a rectangle or square.

1.      Stitch Pattern:

Rib patterns seem to be the key to a good fit. The suppleness and give of ribbed fabric allows for a form hugging fit that leaves plenty fabric free to form a fold over collar that gently transforms into a neckline.

2.      The Yarn:

Soft and pliable and comfortable. Turtlebacks can be a quick knit if a chunky yarn is used. A more subtle effect (and larger frame friendly) comes from using a worsted weight yarn.  Crocheted versions often opt for a sport, or baby, weight yarn.

3.      The Dimensions:

This type of garment is not as picky with gauge as a more fitted cardigan, but creating a rectangle or square (for a shorter jacket) that is appropriate for your frame is a must. Turtlebacks can fit almost any shape and frame. Just be sure to knit the rectangle to suit you:

4.      The Stitching:

a.       You will need two sets of needles in a size appropriate for your yarn. One will be larger than the needle used to knit the main body.

b.      With the larger needle, cast-on enough stitches to create a fabric that meets the above dimensions. Knit in pattern for at least 3” to 6”. When worn, one large-needle end becomes the collar and the other becomes the flounce.

c.       Change to smaller needle and knit in pattern until fabric is appropriate length.

d.      Change to larger needle and repeat step b.

e.       Cast-off loosely in pattern.

f.        Wrap the fabric around yourself and close with a shawl pin or other style closure.

5.      The Magical Fold and Seam:

Whether you’ve knit a square or a rectangle, the trick to creating the jacket lies in the folding.

a.       Matching the cast-on and cast-off edges, fold the knitted piece in half.

b.      Mark sides 7.5 (small), 8 (medium), 8.5 (large), or 9 (extra-large) inches from fold for arm openings.

c.       Sew side seams together from marker to cast-on/cast-off edge.

d.      Weave in all ends and get ready to be wrapped in warmth and comfort.

6.      Wearing the Jacket:

a.       With one hand placed along the front of the top edge, lift the top half of the garment and slip the other arm through one of the armholes.

b.      Slip your other arm into the second armhole.

c.       Pull the garment around you, making it as form-fitting or as loose as you like.

d.      Fold back the edge around your neck to form a collar.

There you have it! The Turtleback Jacket. I am looking forward to adding a number of these form-fitting, or loosely fitted, “pop-on” style jackets to many wardrobes…including my own. Now, go forth, grab your favouite stitch dictionary, and knit or crochet your own version of this truly magical garment.

You can check out my first attempt at a crocheted Turtleback on Ravelry.

Knit a hug today!

For more detailed patterns in both knit and crochet, please visit Annie’s Attic. Easy Turtleback Jacket, by Sue Childress and Frances Hughes, offers eight unique designs for you try. Crocheters will appreciate Summer Turtleback Jackets, by Annie’s Attic. The pattern leaflet features a picot lace and a crescent patterned version of the Turtleback. Both are quick to create and result in a unique and airy addition to any summer ensemble.

Just in time for summer!

Happy stitching…